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I began to find myself perversely reminded of an old sketch by Stewart Lee and Richard Herring.
Both Danielewski's fans do and his professional critics consider his work as a particularly intricate key with eyes toward a potential lock; the frame, instead, allows us to situate it on a keyring, and go from there.
(2016), I took the excuse first to reread all the preceding books, and few exercises in revisiting childhood favorites have been so vindicating, so filled with wonder, sorrow, delight, and ultimately joy.
Each queer union is as hopeless as its heterosexual and straight counterparts.
There is neither judgement nor condemnation, yet at the same time there is an equal lack of celebration or hopefulness. As such, these pieces are necessarily impressionistic and often dreamlike, sacrificing character and plot in favor of style and feeling.
In the year 2K16, it’s understood that the bar is high for white writers who choose to tell these stories.